A brilliantly eclectic combination of performance poetry and punk …
I was lured to this album by C. T. Herron’s glowing review that gave me very high expectations for it, and they were not disappointed … much to my relief, as Anna has been a supporter of this blog since its early days, so it is really nice to be able to write of her work with heartfelt praise.
I should point out, though, that the title claim of Track 4, “I Don’t Know Any Funny Songs,” is a blatant lie, or at any rate unwarranted modesty, as this album is a masterpiece in ironic wit. There seems to be something about Celtic accents that lend themselves nicely to that, so that we can hardly concur when Anna sings later on the album, “I wish I was French but I’m Scottish instead.” (Track 7, “Anna en Francais”) Somehow, her combination of pithy satire and utter surrealism just wouldn’t be the same without her dry, laconic, Glaswegian tones.
Which is not to say that the album is purely an exercise in comic poetry. The musicianship is stunning right from the first, heavy rock track, and continues to show versatility throughout, seamlessly tackling hilarious pastiches of reggae, techno, and funk. The only criticism I could make is one of mastering, in that sometimes the music overwhelms the lyrics, although that would well just be the fault of my inadequate setup (so do try to listen to this on decent sound equipment, as it deserves, rather than a phone speaker or a pair of cheap Flying Tiger headphones).
The whole album was an absolute pleasure for me, but if I had to select highlights, I would probably go for “I Don’t Know Any Funny Songs” (an acoustic number and, as mentioned, a total inaccuracy), “Anna en Francais” (witty, surreal, and all-too-easy for this struggling student of French to sympathise with), and “Catch The Tiger” (which starts off as a series of bizarre self-help style affirmations to a driving, upbeat tune, then turns a corner into something downbeat and ironic, which appeals so totally to my inner cynic).
This is a stunning independent production, the skill and variety of the music perfectly complementing Anna’s wickedly amusing lyrics. The very easily offended might not care for it, but I have no hesitation recommending it to everyone else.